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gallery hours

FRI, SAT, SUN

1—5
(except opening Fridays & between exhibitions)

The galleries are open during intermissions:
Pacifica Performances

SANCHEZ ART center

1220-B Linda Mar

Pacifica, CA 94044

650.355.1894

fax 650.355.1752

 

OFFICE HOURS

TUES, WED, THURS

1—5

 

Special Fundraiser Film



 

Open galleries & reception, 6:30–7:30 pm, Sanchez Art Center
Documentary film screening, 7:30–9:30 pm, Mildred Owen Concert Hall
followed by a talk with Jerry Barrish and filmmakers William Farley and Janis Plotkin
Advance Tickets: $15 / At Door: $20, if available

Sometimes an individual is compelled, in the face of daunting odds, to find his identity by making art and becoming an artist...

This documentary tells the remarkable story of a plucky bail bondsmen best known for bailing out members of the 1960s Bay Area counterculture ("DON'T PERISH IN JAIL, CALL BARRISH FOR BAIL"). As a social justice crusader, independent filmmaker, and man who at age 50 discovered a new artistic path as a sculptor, Barrish began using discarded plastic as his new medium. This new path presented Barrish with the struggle to create museum-quality fine art out of trash.

Jerry Barrish was the product of an environment that little appreciated the finer arts, much less the wildness of modern art. His hardworking, San Francisco Jewish relatives were boxing enthusiasts and vaguely connected to the mob. Those connections got him started in the bail bond business. Then he broke the mold, becoming the bailout guy for radical "sixties protesters." Inspired by the times, he went further afield, delving into art collecting and then launching himself as a filmmaker and sculptor.

Creative by necessity, Barrish began collecting shoreline detritus, especially the discarded plastic, and assembling it into whimsical, evocative, poignant human and animal figures. Barrish reassembles his life as a sculptor, but hits another snag: the art world approves of the imagination, but scorns the material. Barrish's beloved plastic won't do for the world of galleries and collectors. Yet by the end of Plastic Man, the artist finds his vindication, and the immeasurable pleasure of wide visibility, in a public commission for the Bay View / Hunter's Point neighborhood where he works—a 15-foot horn player constructed from the component forms of a disassembled gun.

* Now for the first time you can rent or buy PLASTIC MAN for home use:
iTunes, Pre-Order: Sept 11
iTunes/Amazon and GooglePlay, Day of Release: Oct 16

For more information and trailer: plasticmanbarrish.com

 

 

Upcoming Exhibitions: Click here to see the 2018 schedule